NATURAL HISTORY
MUSEUM
SHENZHEN
CHINA, 2020
CULTURE
PR–597
The natural world is full of endless wonders. DPA’s proposal for the Shenzhen Museum of Natural History uses a living landscape to extend the museum’s collection outdoors into striking, immersive “environments.”
GALLERY
047
PROGRAM
Permanent and temporary exhibition spaces / Storage and conservation areas / Lobby / Children’s science education areas / Cafeteria / Academic research areas / Administrative offices / Astronomical observatory.
DETAIL
Situation
Yangzi Lake area, south of Yangzi Hill and the Pingshan River, north of Longxiang School
Year
2020
Status
Invitation-only international competition
Site area
42 000 m²
Built-up area
102 900 m²
Project management
Engineering Design Management Center of Bureau of Public Works of Shenzhen Municipality
Co-organizer
Shenzhen Position Spatial Culture Development Co., Ltd.
Project implementation
Dominique Perrault, architect, urbanist
Local architect
SZAD, Shenzhen
Interior architect and designer
Gaëlle Lauriot-Prévost
Landscape architect
PWP, Berkeley
Design offices
Buro Happold, Jean-Paul Lamoureux
DESCRIPTION
Each landscape evokes the colors, patterns, and processes found in nature. While traditional natural history museums around the world were historically built as neoclassical or Beaux-Arts “static containers” for collections, modern museums have begun to vary significantly in their architectural expression, and their spaces have become more flexible, more diverse, and even more “alive .”
READ MORE
Museums of the future have the potential to further stimulate our imagination and enrich our education by creating dynamic, sustainable “living environments” that extend both inside and outside the museum. The landscape of the Shenzhen Natural History Museum will be integrated into the architecture and organized into distinct, memorable environments.
Taking the form of an artificial hill that houses the museum’s collection, the building does not aim to create a simulation of nature. Rather, its goal is to better integrate nature into the architecture and to demonstrate that there can be a harmonious relationship between the natural landscape and the human footprint. This building aims to bring nature into the city, dissolving the separation between the built environment and the natural environment. As such, it stands as a powerful symbol for a society that actively advocates for science and the protection of the planet. The Shenzhen Natural History Museum thus foreshadows the future of architecture: an architecture in which nature is a central component and no longer merely a decorative element; an architecture that serves all living species.
RELATED PROJECTS



























